mobiluf.blogg.se - Best microphone for garageband mac

The Snowball has a some features that would be great for you and a few drawbacks. And the built in A/D (analog to digital) converter is certainly not the best for recording a vocal group, its designed more for a spoken voice directly in front of the laptop. its pathologically cardioid), you don't get much fidelity, and you get a lot of background noise to boot. So you don't have a wide sound field (i.e.

The built-in laptop mic you were using is almost certainly a cheap dynamic mic, and having it built into the laptop doesn't give you much in the way of options for getting an ideal sound field. As I said, they are tools for specialists and require too much special handling for a hobbyist. They tend to be delicate, too much sound pressure can actually ruin the ribbon.

I know a guy with a studio that has a pair ribbon mics that cost as much as a car. Ribbon mics are amazing studio tools, they can cost a small fortune.Some have a very focused sound field (cardioid), some have a wide sound field (omnidirectional), some have two condensors that allow you to switch between the two. These usually have XLR connectors instead of 1/4" jacks, in part to power the mic.

Condensor mics are the next step up, these are actually a type of capacitor and that means they require a voltage (e.g.

I have a handful of these (20 year-old SM57s, damned near indestructible) that are useful with a live band, but there are MUCH better dynamic mics out there now. They can be useful in high-decibel environments but they can pick up a LOT of ambient noise (esp.

Dynamic mics are really the equivalent of a tiny speaker that is used in reverse (sound goes in and voltage goes out, which is the opposite of how speakers are used).

There are three basic types of microphones: Blue's Snowball is very good for what it is: a condenser mic with a built-in USB interface.